London based dubplate service and SSL studio
New company Vinyl Carvers have developed the everlasting dub! “We’ve come up with a way of creating one-off and short runs of tunes that last nearly as long as normal records,” explained Werner Freistaetter. Werner and partner Tina Troestl have been working on the project for over three years. “Traditionally dubplates have been used to get fresh material from the studio straight out to the club DJs for testing and promotional purposes,” said Tina. “Unfortunately though, these dubs are only good for around 20 –50 plays before the quality deteriorates. We have come up with a way of getting amazing quality on a durable record.”
 
A dubplate is also known as a laquer or acetate and is the initial component for mass printing vinyl records. For those who don’t know, a dubplate is not actually a record. It’s a special disk made from a large metal plate coated in plastic. A cutting lathe cuts the master (one each side). Metal stamps are then made from the master to press records from hot plastic.
 
“The traditional cutting head of the lathe consists of a sapphire head (needle),” explained Tina. “The laquer on a dubplate is not a very tough material and is easily worn away by the average needle on playback. “The problem that all developers have encountered is the ability to cut a really deep (loud) and wide (large stereo image) groove into a really tough material. We needed a really tough cutting head and now we’ve found it.”
 
Djmag ventured to Vinyl Carvers in London’s Highgate area, armed with our own tune, to see this amazing new cutting lathe in action. And we were impressed. The cutting lathe clamped onto a standard 1210 turntable. And the cutting process didn’t take long, but involved very precise control over the temperature of the vinyl record.
 
“We use two different types of vinyl,” explained Werner. “One is a very thin and completely clear plastic, which is perfectly light for scratching and can easily be marked with a marker on the underside, making it the perfect scratching tool.” Favourite scratch samples can be recorded onto one .wav file and we’ll put it on one piece of vinyl for easy use. “We tested a record with a locked groove and put a counter on the platter to see how many plays were possible before the audio quality deteriorated and it went into the thousands,” claimed Werner. “However each record created can only have music on one side and producers are encouraged to only have one track per side to enable a deep and wide groove to be cut for optimum sound quality.”
 
Tracks can be posted to Vinyl Carvers as audio or data CD (.wav), and can even be e-mailed as a high quality MP3 (320kbps). The first record costs £50, which includes mastering (if required), and each additional copy is £30. To find out more and to get your very own everlasting dubplate cut call Vinyl Carvers on 020 72674071 or visit their site at www.vinylcarvers.com